dance writer

Pilobolus Dance Theater defies categorization. Known for their physical feats and visual treats, they've created their own brand of modern dance. The company, now in its 39th year, visited Madison, Wisconsin last night and in the vast Overture Hall, they presented an athletic, inventive, diverse and sometimes thought-provoking concert of six works. Upon occasion, Pilobolus dances carry a message. But most often they provide high entertainment value. Their stylistic assortment started off with the rough-and-tumble Redline , made in 2009 in the Pilobolus traditional collaborative spirit---by numerous choreographers. Starting in a stiff straight line, then slowly swinging their heads, then arms, then legs, six dancers progressed downstage. Random hunched over walking patterns evolved into an explosion of hurtling bodies. Dancers sporting red and black wrestling shorts and boxing boots ran at each other at top speed and launched themselves over backwards, airborne, in between...

Alonzo King’s dances don’t depict simple stories. In fact, there was nothing simple about his LINES Ballet performance on Saturday at the Wisconsin Union Theater. King built a rich detailed movement vocabulary brought forth by ten exquisite dancers in the two full-company works presented. A brief hopeful solo opened the first piece, Signs and Wonders , originally created in 1995. The lone dancer rippled his spine and with swirling gestures moved as if he had no skeleton. Yet as others joined energetically fusing the inventive loose contemporary arm gestures with the rigid torso and legs of classical ballet, the piece moved in no clear direction. Throughout the nine sections, an intriguing style of physical juxtaposition emerged and the dancers took this style with ease. Able to create an awkward tension in their bodies through distorted shapes, they flexed their feet, angled their arms, held parallel leg positions and moved through impossible lifting sequences, all with the fl...